Monday, December 21, 2009




I just saw the image above posted by Mei of Wire Bliss Mei (a link to her site is in the post below), she named the rings "The Eyes are Watching." In her post she said she was inspired by the work of Iza's "Ethnic Ring."


I was thrilled to see her rings because the theme is in the same vein as a ring I sold on Saturday. My focus was the "Eye of Horace." When the client tried on the ring we were both struck how much it looked like a henna painting on her hand. Staying in an Egyptian vein I am currently working on a set for her co-worker. The theme of the set is based on Hathor. As soon as I get a little more into it I will post the ring and choker. Love your work Mei


Wire Wrapped Jewelry and Tutorials by WireBlissMeiWireBlissMei: Ethnic Ring - The Eyes are Watching

Wire Wrapped Jewelry and Tutorials by WireBlissMeiWireBlissMei: Ethnic Ring - The Eyes are Watching

Thursday, August 13, 2009

Ancient Funture 3





A further exploration with yellow magnesite from Turquoise Magpie. The earrings also have small glass cubes and green-black jasper.















Ancient Future III
Mango magnesiet, copper




Thursday, July 30, 2009

Guitaurus



I talked to Gemi Taylor about creating a piece for him using the logo of his company "Guitaurus Music." Gemi plays guitar with Mandrill, has a soon to be released CD on which he is producing and performing and it features the poetry of Maya Angelou.

I started free form wrapping copper on the larger pendent-- 8 1/2" from top to bottom-stop!

Then I tried something a little more stylized, and I wanted to include some significant gems with the copper--turquoise because by this time I had been thinking about the idea of Taurus and steeping the mythology back a culture. Tarsus, Horus--hum! Horus the Egyptian mythical character was married--at one point to Hathor. Now Hathor wore a headdress of horns (bull) with the disk of the sun between the horns.


Okay good size 4". A sun stone at the top of the pendent between the horns. Green turquoise referring back to Egypt, fire agates and reconstituted turquoise detailing the outside of the pendant-stop! What is this I'm not sure. Go back to paper and I have to admit my father's drawing.











Okay, so now I have a template and some raw undrilled turquoise slabs my mother brought from a trip to New Mexico. The finished pendent front and back, 4 1/2." "S" hooks in the horns. Hope you like it Gemi.

Tuesday, July 28, 2009

Sankofa



In this image the camera's light setting wasn't quite right, but the I'm including it because it best captures the sun lighting up the carnelian. The entire piece is made up of a carnelian ----- and a carnelian briolette from Turquoise Magpie, suspended from a brass frame. My client is going to hang it in her window. I call this piece Sankofa. It will make a gorgeous window and room display.


In the Adinkra African writing system of the Akan people of Ghana and Corte ‘d Ivorie there is for me one symbol that recognize more than any other that life is transformational. That symbol is Sankofa.


Of all of the intrepretaions I found regarding the concept of Sankofa, this text from W.E.B. DuBois Learning Center has resonance for me:

"se wo were fi na wosan kofa a yenki."

"it is not taboo to go back and fetch what you forgot".




The Akan Symbol Project at Marshal University

expands on the ideas of memory and knowledge with the following;

The Akan believes that knowledge must have practical bearing on the conduct of life. This is portrayed by the aphorism:

Nyansa nye sika na woakyekyere asie
-

Wisdom is not like money which may be kept in a safe;
or,
". . .one does not collect wisdom in a bag,
lock it up in a box
and then go to say to a friend,
"teach me something."








This second Sankofa piece is a pendant

of onyx and copper.




The idea I'm trying to work on is --our futures are not shackled by our past but given flight by knowledge of the past. Because the symbol is interpreted as two birds

or one bird flying in two directions

or a bird and an egg.

I see the concept of Sankofa as speaking to the multiple identities we wear, the multiple paths we can and do choose to travel and as a result the multiple possibilities we have when we allow ourselves to hear and see the past and the future from the position we exist in today.


Here are a few more images I’ve used to inform my work with wire and gemstones. I love the stylization of these image.

Sunday, July 12, 2009

Ancient Future



Organic echos from the past to the future. No I'm not going to bling up the copper. The patina is in perfect contrast to the vivaciousness of the stones. These vibrant chunks of magnesite are from Turquoise Magpie's.


Even though I live 20 minutes from downtown Los Angeles (and you can find everything in the garment district of L.A.) I also buy from Szarka's Magpie on-line store. Okay I'm addicted. The regular updates, beautiful images, excellent customer service (they called me to get the correct mailing address), speedy delivery, and affordable prices, fuel my addiction. It makes me feel very special to received the lovely little parcels in the post and I know I'm going to get exactly what I requested.

It's summer and I'm wearing these adornments to a summer night concert under the stars at the Levitt Pavilion (Pasadena, CA) enjoying "Vive Bazil." The music, the dancing, the crowd, we are all trying to find what is next in this world of seismographic change. Vive Brazil and these copper and magesite adornments remind me to remember the past as I live in the present and look to the future.